Chopin Waltzes
Chopin wrote seventeen waltzes.
Only about half of them were published during his lifetime, but these were
among his most popular compositions. The remaining waltzes were published
only after his death, some with a posthumous opus number (opp. 69, 70) and
the others without. The works without opus number are generally identified
with their numbering in the Kobylaήska catalogue (KK number with a roman-numeral prefix).
After the death of the composer, Julian
Fontana, his friend and collaborator, published a number of Chopin's posthumous works. Fontana's versions, however, even when several
autographs of a waltz are available, do not appear exactly to follow the
text of any one of
the primary sources (e.g. op. 69 and op. 70). For a complete list of Chopin Waltzes,
please visit Chopin Waltzes:
Complete List.
Selections:
Due to restraints in resources and time, the collection of piano waltzes of
Chopin used in this website has been limited to the following four
waltzes, which have been chosen for their differences in style and
difficulty. Please click on the title to learn more about each of them. For
each of the pieces, you will find the following information:
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Background and Description: musicological information that may help teachers/students understand
the piece further.
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Editions:
information about the original editions and autographs, as well as a guide
for choosing a current edition.
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Discography: current
recordings are examined and compared based on particular musical aspects.
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Audio and Video: clips
of specific passages (if applicable) that will demonstrate technical
or musical issues addressed.
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Technical Issues:
discussion of
common issues to many students or to certain types of students (e.g. those with small
hands), as well as how to approach the issues and prepare students
to successfully perform the piece.
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Etudes and
Exercises: scores (if available) and information on etudes and
exercises for each technical issue, ranging from small
exercise sequences prepared specifically for a particular passage to
published etudes by composers such as Czerny.
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Preparatory Pieces:
suggestions of pieces to be studied prior to learning a particular Chopin waltz to
address certain technical or musical issues.
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